susan c. dessel

susan c. dessel

  • works
    • 2022 TZEDEK BOX
    • 2022 HOPE/LESS Exhibit
    • FRANKELY SPEAKING Spring/Summer 2022
    • THE ART OF BEING DANGEROUS
    • 2020 Untitled (Portrait of EJD)
    • 2019 2020 YNY
    • 2019 Expat Repat
    • 2017 Simple Math
    • 2017 PIECES of PEACE
    • 2016 TREES OF LIFE and EVIL EYES
    • 2016 Summer
    • 2016
    • 2015
    • 2014 BRICK IN A SOFT HAT Series 2 Nos. 1-8 (Portraiture of Martha Gruening)
    • Brick In a Soft Hat (Portraiture of Martha Gruening, No.1)
    • 2013 Words From the Black Maria
    • 2013 WHAT A NEIGHBORHOOD!, nos 1- 5 of 10
    • 2013 WHAT A NEIGHBORHOOD!, nos 6-10 of 10
    • 2012 crystal clear, an installation
    • 2011
    • 2010 chashama 266
    • 2010
    • 2009
    • american samplers, series 3 (the chicken chronicles, nos. 1-14) 2013, 2009
    • 2008 Artist Residency Tondach Factory (Prague, Czech Rep.)
    • 2007
    • 2006
    • 2005
    • 2004
    • 2003
    • 2002
    • 2001
    • 2008
  • CV
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nothers at the naregatsi art institute, yerevan armenia
Armenian Public Radio, Review of “nothers” (In Armenian with a bit of English)
“nothers” Exhibit (youth.am web site)
Review of “nothers” (henaran.am)
Review of “nothers” (aravot.am)
Golos Armenii (Armenian Voice: Russian language & English translation)
“nothers” Exhibit (arit.am web site)
“nothers” Exhibit (aysor web site)
nothers: variation of another/nother (NAI news)
nothers: variation of another/nother (ACSL news)

"nothers", An Installation
2010
Terracotta, Gold Leaf
Installation (365 hanging double-faced pieces, avg. dimension 1.75"H 1.25"W 1.75D)

“nothers” (Installation detail)

“nothers”, An Installation, consists of 365 individual double-faced terracotta pieces. Each is marked with a gold leaf Jewish Star of David on one side and Khachkar, Armenian Cross, on the opposite side. The installation was hung across the gallery space in twelve lines, the number of pieces in each line corresponded to the number of days in a calendar month, e.g. 31 in the first line corresponding to the number of days in January, etc.


The installation references a commitment by Medieval Jewish women to nurse their infants for a period of 24 months and their use of Christian women as wet nurses (an arrangement that sometimes worked in the reverse: Jewish wet nurses for Christian women unable to nurse) when a mother was unable to nurse her child. The period of 24 months was determined to give a child the best possible chance for survival during a period when infant mortality was very high.


The piece also references the intimacy that could be found between and among Jewish and Christian women during the Middle Ages.


Please read the exhibit brochure text (found in WORKS 2010) for more of the artist’s thoughts on this work.

© 2023 susan c. dessel